SELECTED EXHIBITIONS // WRITING
SELECTED WORK // REPRESENTATION

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NIGHTS
2025
Kiln formed glass
245 x 400 x 55 mm
(490 x 400 x 55 mm installed)





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ECHOES (THOUGH MY SKIN)
2025
Kiln formed glass
495 x 400 x 60 mm
(900 x 1200 x 60 mm installed)





[See More] SAME DREAM
2025
Kiln formed glass
495 x 400 x 60 mm





This work is available
exclusively through
ATELIER 024


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OF SKIN (BLANC)
2025
Kiln formed glass
170 x 300 x 90 mm

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This work is available 
exclusively through 
ATELIER 024


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OSSA
2025
Kiln formed glass
170 x 300 x 90 mm

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UNTITLED (BREATH OF SHADOW)
2024
Kiln formed glass
215 x 300 mm





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SHROUD
2024
Kiln formed glass
90 X 220 X 145 mm





[See More] NERO
2024
Kiln formed glass
330 x 150 x 35 mm





[See More] ENFOLD
2021
Kiln formed glass
125 x 145 x 40 mm





[See More]     EMBODIED SERIES
2021
Kiln formed glass
Dimensions Variable





[See More]     IT’S ONLY UP FROM HERE
2018
Kiln formed glass
380 x 380 x 10 mm each
(380 x 760 mm installed)





[See More] SOMETHING ABOUT THE RAIN
2018
Kiln formed glass
425 x 425 x 10 mm each
(1275 x 425 x 10mm installed)





[See More]UNDULATE
2017
Kiln formed glass
440 x 440 x 10 mm each
(440 x 1320 x 10mm installed)






MADELINE           CARDONE

Born 1996.
Canberra AUSTRALIA








RECENT:
Touching Space
//
COX Gallery
05 May - 13 June 2025








Instagram


CV


Contact

Madeline Cardone lives and works on Ngunnawal country, and is a graduate from the ANU School of Art and Design (2018). Her practice is primarily sculptural, underpinned by an interest in architectural theory and how the body encounters space and materiality. Her work engages predominantly with glass, but also extends to material explorations in ceramics, drawing, photography and performance. She often works to develop experimental and unconventional ways of making with her materials, with an inherent sensitivity towards subtle surface and refined form.

Her current work plays with sensory and material tensions within black glass. She explores the notion of ‘glass as skin’, as a way of conveying an experience of space and bodily memory. Her works frame the interplay of light, shadow in sculptural, tangible form to contemplate how the physical and intangible aspects of human experience are shaped by the spaces, moments, and memories we inhabit.

Madeline has exhibited nationally and internationally since 2017. She is the recipient of the Bassett Downs Honours Scholarship in Glass (ANU, 2021), the Vicki Torr Emerging Artist Prize (Ausglass, 2022), and the Aldo Bellini Acquisition Award for Milano Vetro Under-35 (Milan, 2024).







I acknowledge that I work on unceded Ngunnawal country, and pay my respects to its custodians and cultures, past and present.


MADELINE           CARDONE
Born 1996.
Canberra AUSTRALIA

Madeline Cardone lives and works on Ngunnawal country, and is a graduate from the ANU School of Art and Design (2018). Her practice is primarily sculptural, underpinned by an interest in architectural theory and how the body encounters space and materiality. Her work engages predominantly with glass, but also extends to material explorations in ceramics, drawing, photography and performance. She often works to develop experimental and unconventional ways of making with her materials, with an inherent sensitivity towards subtle surface and refined form.

Her current work plays with sensory and material tensions within glass. She explores the notion of ‘glass as skin’, as a way of conveying an experience of space and bodily memory. Her works frame the interplay of light, shadow in sculptural, tangible form to contemplate how the physical and intangible aspects of human experience are shaped by the spaces, moments, and memories we inhabit.

Madeline has exhibited nationally and internationally since 2017. She is the recipient of the Bassett Downs Honours Scholarship in Glass (ANU, 2021), the Vicki Torr Emerging Artist Prize (Ausglass, 2022), and the Aldo Bellini Acquisition Award for Milano Vetro Under-35 (Milan, 2024).



RECENT:
Touching Space
// COX Gallery
05 May - 13 June 2025



SELECTED WORK // REPRESENTATION
SELECTED EXHIBITIONS // WRITING
CV

INSTAGRAM




Above: Canberra Glassworks, 2025. Photo: Brooke McEachern.
Below: Paddington, Syndey, 2024. Photo: Matteo Macri
.


I acknowledge that I work on unceded Ngunnawal country, and pay my respects to its custodians and cultures, past and present.

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